2025 Oscars Best Visual Effects Predictions
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
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2025 Oscars Predictions:
Best Visual Effects
Weekly Commentary (Updated Nov. 14, 2024): More to come.
** denotes the film is not yet dated or can open in 2025.
And the Predicted Nominees Are
Rank | Performer & Film |
---|---|
1 | “Gladiator II” (Paramount Pictures) |
2 | “Dune: Part Two” (Warner Bros.) |
3 | “Kingdom of the Planet of the Apes” (20th Century Studios) |
4 | “Wicked” (Universal Pictures) |
5 | “Furiosa: A Mad Max Saga” (Warner Bros.) |
Next in Line
Rank | Performer & Film |
---|---|
6 | “Twisters” (Universal Pictures) |
7 | “Mufasa: The Lion King” (Walt Disney Pictures) |
8 | “Alien: Romulus” (20th Century Studios) |
9 | “Better Man” (Paramount Pictures) |
10 | “Blitz” (Apple Original Films) |
Other Contenders
Rank | Performer & Film |
---|---|
11 | “Deadpool & Wolverine” (Marvel Studios) |
12 | “Here” (Sony Pictures) |
13 | “Godzilla x Kong: The New Empire” (Warner Bros.) |
14 | “Nosferatu” (Focus Features) |
15 | “Civil War” (A24) |
16 | “Beetlejuice Beetlejuice” (Warner Bros.) |
17 | “The Wild Robot” (DreamWorks Animation) |
18 | “Inside Out 2” (Pixar) |
19 | “The Substance” (Mubi) |
20 | “Ghostbusters: Frozen Empire” (Sony Pictures) |
Eligible Titles (Best Visual Effects)
** This list is incomplete and not yet finalized. Not all films have distribution or release dates. All are subject to change.
“Alien: Romulus” (20th Century Studios)
“All We Imagine as Light” (Janus Films/Sideshow)
“Anora” (Neon)
“The Apprentice” (Briarcliff Entertainment)
“Babygirl” (A24)
“Back to Black” (Focus Features)
“Beetlejuice Beetlejuice” (Warner Bros.)
“Better Man” (Paramount Pictures)
“Between the Temples” (Sony Pictures Classics)
“The Bikeriders” (Focus Features)
“Bird” (Mubi)
“Black Dog” (The Forge)
“Blink” (National Geographic)
“Blink Twice” (Amazon MGM)
“Blitz” (Apple Original Films)
“Bob Marley: One Love” (Paramount Pictures)
“The Book of Clarence” (Sony Pictures)
“The Brutalist” (A24)
“Carville: Winning is Everything, Stupid!” (CNN Films)
“Challengers” (Amazon MGM)
“Civil War” (A24)
“The Colors Within” (GKids)
“A Complete Unknown” (Searchlight Pictures)
“Conclave” (Focus Features)
“The Count of Monte Cristo” (Samuel Goldwyn Films)
“Daddio” (Sony Pictures Classics)
“Dahomey” (Mubi)
“Daughters” (Netflix)
“Day of the Fight” (Falling Forward Films)
“Deadpool & Wolverine” (Marvel Studios)
“The Deliverance” (Netflix)
“Despicable Me 4” (Illumination/Universal Pictures)
“A Different Man” (A24)
“Dìdi” (Focus Features)
“Drive-Away Dolls” (Focus Features)
“Dune: Part Two” (Warner Bros.)
“Elton John: Never Too Late” (Walt Disney Pictures)
“Emilia Pérez” (Netflix)
“The End” (Neon)
“Evil Does Not Exist” (Sideshow)
“Exhibiting Forgiveness” (Roadside Attractions)
“Ezra” (Roadside Attractions)
“Fancy Dance” (Apple Original Films)
“Femme” (Utopia)
“The Fire Inside” (Amazon MGM)
“Firebrand” (Roadside Attractions)
“Flow” (Janus Films/Sideshow)
“Frida” (Amazon MGM)
“The Front Room” (A24)
“Furiosa: A Mad Max Saga” (Warner Bros.)
“Girls Will be Girls” (Juno Films)
“Gladiator II” (Paramount Pictures)
“Ghostlight” (IFC Films)
“Good One” (Metrograph Pictures)
“The Greatest Hits” (Searchlight Pictures)
“Green Border” (Kino Lorber)
“Hard Truths” (Bleecker Street)
“Here” (Sony Pictures)
“Heretic” (A24)
“His Three Daughters” (Netflix)
“Hit Man” (Netflix)
“Horizon: An American Saga — Chapter 1” (Warner Bros.)
“I Am Celine Dion” (Amazon MGM)
“I Saw the TV Glow” (A24)
“I’m Still Here” (Sony Pictures Classics)
“The Idea of You” (Amazon MGM)
“IF” (Paramount Pictures)
“The Imaginary” (Netflix)
“In the Summers” (Music Box Films)
“Inside Out 2” (Pixar)
“Inside the Yellow Cocoon Shell” (Kino Lorber)
“It Ends With Us” (Sony Pictures)
“Janet Planet” (A24)
“Joker: Folie à Deux” (Warner Bros.)
“Kinds of Kindness” (Searchlight Pictures)
“Kingdom of the Planet of the Apes” (20th Century Studios)
“Kneecap” (Sony Pictures Classics)
“The Last Showgirl” (Roadside Attractions)
“Lee” (Roadside Attractions)
“Longlegs” (Neon)
“The Lord of the Rings: The War of the Rohirrim” (Warner Bros.)
“Los Frikis” (Wayward/Range Releasing)
“Love Lies Bleeding” (A24)
“Maria” (Netflix)
“Megalopolis” (Lionsgate)
“Memoir of a Snail” (IFC Films)
“Misericordia” (Janus Films)
“Moana 2” (Walt Disney Pictures)
“Monkey Man” (Universal Pictures)
“The Most Precious of Cargoes” (StudioCanal)
“Mothers’ Instinct” (Neon)
“Mufasa: The Lion King” (Walt Disney Pictures)
“My Old Ass” (Amazon MGM)
“Nickel Boys” (Amazon MGM/Orion)
“Nightbitch” (Searchlight Pictures)
“No Other Land” (Antipode Films)
“Nosferatu” (Focus Features)
“Oh, Canada” (Kino Lorber)
“On Becoming a Guinea Fowl” (A24)
“One Life” (Bleecker Street)
“The Order” (Vertical Entertainment)
“The Outrun” (Sony Pictures Classics)
“Parthenope” (A24)
“The People’s Joker” (Altered Innocence)
“The Piano Lesson” (Netflix)
“Piece by Piece” (Focus Features)
“Queer” (A24)
“A Real Pain” (Searchlight Pictures)
“The Remarkable Life of Ibelin” (Netflix)
“The Return” (Bleecker Street)
“Rez Ball” (Netflix)
“The Room Next Door” (Sony Pictures Classics)
“Rumours” (Bleecker Street)
“Santosh” (Metrograph Pictures)
“Sasquatch Sunset” (Bleecker Street)
“Saturday Night” (Sony Pictures)
“The Seed of the Sacred Fig” (Neon)
“September 5” (Paramount Pictures)
“Shirley” (Netflix)
“Sing Sing” (A24)
“The Six Triple Eight” (Netflix)
“Small Things Like These” (Lionsgate)
“Sonic the Hedgehog 3” (Paramount Pictures)
“Soundtrack to a Coup d’Etat” (Kino Lorber)
“Spellbound” (Netflix)
“Stopmotion” (IFC/Shudder)
“The Substance” (Mubi)
“Sugarcane” (National Geographic Documentary Films)
“Suncoast” (Searchlight Pictures)
“Super/Man: The Christopher Reeve Story” (Warner Bros.)
“That Christmas” (Netflix)
“Thelma” (Magnolia Pictures)
“To a Land Unknown” (Watermelon Pictures)
“Transformers One” (Paramount Pictures)
“Tuesday” (A24)
“Twisters” (Universal Pictures)
“Ultraman: Rising” (Netflix)
“Unstoppable” (Amazon MGM)
“Venom: The Last Dance” (Sony Pictures)
“Vermiglio” (Janus Films and Sidehow)
“Wallace & Gromit: Vengeance Most Fowl” (Netflix)
“We Grown Now” (Sony Pictures Classics)
“We Live in Time” (A24)
“Wicked” (Universal Pictures)
“The Wild Robot” (DreamWorks Animation)
“Wildcat” (Oscilloscope Laboratories)
“Will & Harper” (Netflix)
“Woman of the Hour” (Netflix)
“Yintah” (Netflix)
“Young Woman and the Sea” (Walt Disney Pictures)
More Information (Oscars: Visual Effects)
2024 category winner: “Godzilla Minus One” (Toho) — Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi, and Tatsuji Nojima
2024-2025 Oscars Calendar and Timeline – Full awards season calendar here
Eligibility period: Jan. 1, 2024 – Dec. 31, 2024
General entry, best picture, RAISE submission deadline: Thursday, Nov. 14, 2024
Governors Awards: Sunday, Nov. 17, 2024
Preliminary voting begins Monday, Dec. 9, 2024, at 9 a.m. PT.
Preliminary voting ends Friday, Dec. 13, 2024, at 5 p.m. PT.
Oscar Shortlists Announcement: Tuesday, Dec. 17, 2024
Eligibility period ends: Tuesday, Dec. 31, 2024
Nominations voting begins Wednesday, Jan. 8, 2025, at 9 a.m. PT.
Nominations voting ends Sunday, Jan. 12, 2025, at 5 p.m. PT.
Oscar Nominations Announcement: Friday, Jan. 17, 2025
Oscar Nominees Luncheon: Monday, Feb. 10, 2025
Final voting begins Tuesday, Feb. 11, 2025, at 9 a.m. PT
Final voting ends: Tuesday, Feb. 18, 2025, at 5 p.m. PT
Scientific and Technical Awards: Tuesday, Feb. 18, 2025
97th Oscars: Sunday, March 2, 2025
Oscars Prediction Categories
— | — |
---|---|
Makeup and Hairstyling | |
Sound | Visual Effects |
Animated Short | Documentary Short |
Live Action Short | Casting (coming in 2026) |
About the Academy Awards
The Academy Awards, better known as the Oscars, is Hollywood’s most prestigious artistic award in the film industry. Since 1927, nominees and winners have been selected by members of the Academy of Motion Picture Arts and Sciences (AMPAS). Nineteen branches are represented within the nearly 11,000-person membership. The branches are actors, animators, associates, casting directors, cinematographers, costume designers, directors, documentary, executives, film editors, makeup and hairstylists, marketing and public relations, members-at-large, members-at-large (artists’ representatives), music, producers, production design, short films, sound, visual effects and writers.
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