Cannes Film Fest Chief Swears He Doesn’t Know What Johnny Depp’s Defamation Trial Was About
The head of the Cannes Film Festival, Thierry Fremaux, defended the inclusion of Johnny Depp’s comeback move in this year’s festival and rebuffed criticism from French actress Adèle Haenel, who recently wrote that Cannes would “do anything to defend their rapist chiefs.”
As Variety reports, Fremaux addressed the issues during a press conference ahead of the opening night of Cannes — which will be led by the premiere of Depp’s new movie, Jeanne du Barry. The movie — directed by and co-starring Ma?wenn — marks Depp’s first major project since his contentious legal battle with ex-wife Amber Heard.
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Depp successfully sued Heard for defamation last year after she identified herself as a victim of domestic abuse in a 2018 op-ed, though she did not name Depp in the piece. While the trial featured photos of her injuries, video recordings of Depp’s meltdowns, and witness testimony supporting Heard’s claims of abuse, the court of public opinion also swung largely in Depp’s favor, with many accusing Heard of fabricating her allegations. (A settlement to keep the case from moving forward on appeal was reached in Dec. 2022.)
As such, the inclusion of Jeanne du Barry in Cannes has drawn some criticism, but Fremaux brushed it aside, telling reporters, “I don’t know about the image of Johnny Depp in the U.S. To tell you the truth, in my life, I only have one rule, it’s the freedom of thinking, and the freedom of speech and acting within a legal framework.”
Fremaux also insisted he was “the last person to be able to discuss” the trial, claiming, “If there’s one person in this world who didn’t find the least interest in this very publicized trial, it’s me. I don’t know what it’s about. I also care about Johnny Depp as an actor.”
He added: “If Johnny Depp had been banned from acting in a film, or the film was banned, we wouldn’t be here talking about it. So we saw Ma?wenn’s film, and it could have been in competition. She would have been the eighth female director. This [controversy] came up once the film was announced at Cannes because everybody knew Johnny had made a film in France…I don’t know why she chose him, but it’s a question you should ask Ma?wenn.”
(Ma?wenn also recently found herself in some legal trouble after Edwy Plenel, the editor-in-chief of the French magazine Mediapart, sued her for assault. Plenel claimed Ma?wenn came up to him at a restaurant and spit in his face after grabbing him by the hair.)
Fremaux was similarly curt when discussing the open letter issued last week by Adèle Haenel, the celebrated star of Portrait of a Lady on Fire, who ditched film acting because of how prevalent sexism, sexual assault, racism, and other issues remain throughout the film industry (and many movies, too). In her letter, she called out the industry’s continued support of several prominent figures who’ve faced accusations of sexual assault, abuse, and/or rape, including actor Gerard Depardieu, the president of France’s National Film Board Dominique Boutonnat, and director Roman Polanski. (Haenel famously walked out of France’s Cesar Awards in 2020 after Polanski won best director, shouting, “Bravo pedophilia!”)
“It unnerves them and disturbs them that victims make too much noise, they would prefer it if we continued to disappear and die in silence,” Haenel wrote in Telerama magazine. “They’re ready to do anything to defend their rapist chiefs, those who are so rich that they believe they belong to a superior species, those who make a show of this superiority by… objectifying women and subordinates.”
Fremaux fired back, calling Haenel’s comments “radical” and “false” and arguing “she didn’t think that” when she appeared at Cannes 2019 in support of Portrait of a Lady on Fire “unless she suffered from a crazy dissonance.”
Fremaux added, “But if you thought that it’s a festivals for rapists, you wouldn’t be here listening to me. You would not be complaining that you can’t get tickets to get into screenings.”
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