Friday Music Guide: New Music From Lady Gaga, Halsey, Megan Thee Stallion and More
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
This week, Lady Gaga supplies an antidote for hungry fans, Halsey channels the greats and Megan Thee Stallion unveils another act. Check out all of this week’s picks below:
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Lady Gaga, “Disease”
Lady Gaga’s new single was produced and written with Andrew Watt, a guitar virtuoso who’s become a guru to rock veterans, as well as Cirkut, one of pop’s most prolific studio whizzes; that pedigree informs a stomping new track that balances arena heft with nimble melodies, as Gaga sings, “Screamin’ for me, baby / Like you’re gonna die / Poison on the inside, I could be your antidote tonight!” in between fluttering vocal refrains and booming percussion.
Halsey, The Great Impersonator
Most new albums are knowingly influenced by the artists that predated their creators, but few of them are enacted as purposeful homages quite like Halsey’s The Great Impersonator, which hopscotches across personal heroes ranging from Dolly Parton to David Bowie to Britney Spears; the track list can be a guessing game of who-inspired-what, but more often, Halsey’s own songwriting and perspective power the brightest spots.
Megan Thee Stallion, Megan: Act II
Following her June album Megan with a 13-track deluxe edition, Megan Thee Stallion has given fans an embarrassment of riches to cap off a highly successful year: “Bigger in Texas” sets things off with classic trash-talking Meg and “Mamushi” receives a giddy remix featuring TWICE, but “Roc Steady,” a flip of Ciara’s “Goodies” featuring Flo Milli, is the clear highlight.
Summer Walker, “Heart of a Woman”
Even though Summer Walker’s upcoming album will be called Finally Over It, but the R&B star still isn’t on “Heart of a Woman,” a sumptuous showcase for her complex emotions as she recognizes a relationship she can’t quit: “I try to be strong,” Walker sings, “but how much can I take?”
Addison Rae, “Aquamarine”
As Addison Rae continues making the transition from TikTok superstar to aspiring music A-lister, her pop aesthetic is coming into focus, with “Aquamarine” extracting the breathy flirtations from previous single “Diet Pepsi” and applying them to a sleek, futuristic dance-pop sheen.
Kelsea Ballerini, Patterns
A meditation on personal strength and moving on from divorce, Patterns may be Kelsea Ballerini’s most moving collection of songs to date, as the country-pop star sharpens her pen while examining her regrets and hopes; the opening run of songs on Patterns, including the poignant “Sorry Mom” and rousing “Baggage,” demonstrates why Ballerini remains such a captivating presence in the genre.
Gigi Perez, “Fable”
With “Sailor Song” a viral smash and an Island Records deal in hand, Gigi Perez has quickly returned with “Fable,” an acoustic sing-along searching for answers that replicates the rawness of her breakout single and sounds like it could be another hit for the singer-songwriter.
Jin, “I’ll Be There”
Jin’s upcoming album is titled Happy, and pre-release track “I’ll Be There” certainly lives up to that adjective: here, the BTS member is all smiles while reveling in pop-rock bliss, deploying a woo-oo-oo post-chorus that lodges in your brain before your first listen is even complete.
Linkin Park, “Over Each Other”
On “The Emptiness Machine” and “Heavy is the Crown,” the first two songs released from Linkin Park’s upcoming album From Zero, Mike Shinoda is the first voice heard, a steadying force before new vocalist Emily Armstrong arrives; with “Over Each Other,” however, Armstrong delivers an impressive vocal showcase, unleashing her frustration over miscommunication as the production blinks and shudders.
Editor’s Pick: Soccer Mommy, Evergreen
On her fourth Soccer Mommy album, Sophie Allison expertly finds a middle ground between the lo-fi production of her early work and the hearty, pop-adjacent rock of her more recent output; with personal loss as a central focus, Evergreen feels like Allison’s most complete record to date, and a standout during a crowded season for indie releases.
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