Grammy Film & TV Nominees Include Multiple Nods for Hans Zimmer, Atticus Ross, ‘Twisters’ And ‘The Color Purple’

The 67^th Grammy Awards nominations have recognized musicians Hans Zimmer, Atticus Ross and films such as Twisters and The Color Purple with nods across multiple categories.

Zimmer is nominated for the Best Score Soundtrack For Visual Media category with the Dune: Part Two (2024) soundtrack and also for the Best Song Written for Visual Media category with “Love Will Survive” from The Tattooist of Auschwitz, which he wrote with Kara Talve, Charlie Midnight and Walter Afanasieff. Barbara Streisand sings the song from the series based on Heather Morris’ book of the same name.

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Atticus Ross is nominated as a composer with collaborator Trent Reznor for the score soundtrack to Challengers (2024) starring Zendaya, Mike Faist and Josh O’Connor. Ross, along with Leopold Ross and Nick Cuba, has two nominations in the same category — Best Score Soundtrack For Visual Media — with FX’s Shōgun, which also netted many trophies at the 2024 Emmys. Ross’ indie rock group Nine Inch Nails will next take on the score to the upcoming Tron: Ares.

The Color Purple (2023) has nods for composer Kris Bowers in the Best Score Soundtrack For Visual Media category as well as for Best Compilation Soundtrack for the various artists who contributed.

Lee Isaac Chung’s Twisters (2024) was nominated for Best Compilation Soundtrack For Visual Media as well as for Luke Combs’ song “Ain’t No Love In Oklahoma,” which the country singer cowrote with Jessi Alexander and Jonathan Singleton.

RELATED: ‘Twisters’ Soundtrack: Every Song You’ll Hear

Oliva Rodrigo’s “Can’t Catch Me Now” which plays during the credits of The Hunger Games: The Ballad of Songbirds & Snakes is also nominated in the Best Song Written For Visual Media, as is “Better Place” from TROLLS: Band Together performed by Justin Timberlake and *NSYNC. Both films came out last year.

Other films nominated for Best Compilation Soundtrack For Visual Media include Saltburn (2023), Maestro: Music By Leonard Bernstein which marks Bradley Cooper’s fourth Grammy nomination following three from his collaboration on A Star Is Born (2019) with Lady Gaga.

Deadpool & Wolverine (2024) also has a nod in the Best Compilation Soundtrack for Visual Media.

RELATED: Ryan Reynolds Reveals Madonna Had “Great Note” That Made ‘Deadpool & Wolverine’ Scene “Better”

To be eligible for the 67th Grammys, recordings must have been released commercially in the U.S. between September 16, 2023, and August 30, 2024, which is why films from the end of 2023 are just receiving nods now.

Beyoncé leads the complete Grammy nominations list with 11 nods across categories and genres for her album “Cowboy Carter.” Find the full list of these categories below:

Best Compilation Soundtrack For Visual Media

• The Color Purple — (Various Artists)

• Deadpool & Wolverine — (Various Artists)

• Maestro: Music By Leonard Bernstein — London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper

• Saltburn — (Various Artists)

• Twisters: The Album — (Various Artists)

Best Score Soundtrack For Visual Media (Includes Film And Television)

• American Fiction — Laura Karpman, composer

• Challengers — Trent Reznor & Atticus Ross, composers

• The Color Purple — Kris Bowers, composer

• Dune: Part Two — Hans Zimmer, composer

• Shōgun — Nick Chuba, Atticus Ross & Leopold Ross, composers

Best Song Written For Visual Media

• Ain’t No Love In Oklahoma [From “Twisters: The Album”] — Jessi Alexander, Luke Combs & Jonathan Singleton, songwriters (Luke Combs)

• Better Place [From “TROLLS Band Together”] — Amy Allen, Shellback & Justin Timberlake, songwriters (*NSYNC & Justin Timberlake)

• Can’t Catch Me Now [From “The Hunger Games: The Ballad of Songbirds & Snakes”] — Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)

• It Never Went Away [From “American Symphony”] — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)

• Love Will Survive [From “The Tattooist of Auschwitz”] — Walter Afanasieff, Charlie Midnight, Kara Talve & Hans Zimmer, songwriters (Barbra Streisand)

Best Music Film

• American Symphony — Jon Batiste | Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers

• June — (June Carter Cash) | Kristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson & Kristen Vaurio, video producers

• Kings From Queens — Run DMC  | Kirk Fraser, video director; William H. Masterson III, video producer

• Stevie Van Zandt: Disciple — Steven Van Zandt  | Bill Teck, video director; Robert Cotto, David Fisher & Bill Teck, video producers

• The Greatest Night in Pop — (Various Artists) | Bao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie & Harriet Sternberg, video producers

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