JC Chasez Hopes His ‘Frankenstein’ Inspired Concept Album Connects People to ‘Humanity’
As a longtime songwriter, artist and musical theater enthusiast, JC Chasez knows the power of a good story that strikes an emotional chord.
That’s why he was floored when his friend and Golden Globe-winning musician Jimmy Harry showed him a theatrical adaptation of Mary Shelly’s Frankenstein by his late mother, playwright Barbara Field. “What I found really appealing and very inspiring about the piece is her ability to make it more direct and accessible in terms of the emotion,” the *NSYNC star tells Billboard. “It wasn’t just about a big monster and this kind of, like, growling thing that I initially had the impressions of in films and when reading Frankenstein. I guess I was just young, and just didn’t really have the time to settle in and really dig into the material. Recently, I was able to spend some time with the material and really get a good read and a good understanding of how emotional it was.”
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From there, Chasez and Harry took the story’s themes of love, responsibility, loss and the human condition and channeled it into a major creative project: a 16-track musical theater concept album called Playing With Fire, which adds to Fields’ theatrical adaptation that originally written as a play and not a musical. “I was a little bit apprehensive at first. It’s like, you start messing with somebody family,” Chasez says with a laugh of musically building off of Harry’s mother’s project.
Chasez brushed off those nerves soon enough, as Playing With Fire is, in a lot of ways, a culmination of the superstar’s creative talents. In addition to writing the project, Chasez also lends his vocals to a number of tracks on Playing With Fire, alongside singers Cardamon Rozzi and Lily Elise. The album marks his first major musical project since his 2004 solo album, Schizophrenic. “Playing With Fire touches on almost everything that I like,” he happily admits. “I love a good sci-fi film, so you get that aspect, and I love how music can make you so emotional in a different way. Obviously, I love pop music, so I love the fact that you can sing and dance together in musical theater. It was just a great opportunity to bring all of these things that I’ve really enjoyed together into one space.”
Furthermore, he was pleasantly surprised at how a centuries-old story touches on themes that still exist today, contributing to just how unifying the human experience is — even if Frankenstein’s monster isn’t human, per se. “Shelly was communicating these points hundreds of years ago that we’re still wrestling with today. I was just going, ‘How did you know?’ How did she write something that is so appropriate for now and then? Then, how did Barbara Fields make this so accessible to me? I felt like I had a direct line to the emotions that Shelly was trying to convey because of the way that Barbara framed it.”
He continued, “When we first started writing, we thought that this is about humanity, technology and the dangers and the morality of ‘Just because you can create something, should you?’ We’re still dealing with all of these for questions with encountering different technologies and AI and all that. We were tinkering with the idea, but we started becoming interested in the way Barbara framed it, as a conversation between the creator and his creation, which we framed as a conversation between a father and son getting to the bottom of their issues, their denials, their neglect and the consequences of those things.”
Ultimately, Playing With Fire is a story of growth and real connection, and in accordance with that, Chasez has ambitions for the project to reach as many people as possible. “This is the beginning of a journey to make something that will hopefully end up on a stage that people can sing live every night and communicate to audiences,” he says. “That’s why this technological discussion is so relevant now. I love the fact that real people will be singing these songs. I want it to connect to humanity.”
Playing With Fire is out via Center Stage Records on Oct. 25.
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