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The Hollywood Reporter

Malala Yousafzai on Why Filmmaking Has Become Essential to Her Activism

Ronda Racha Penrice
6 min read
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Shaping the world into a better place has been an active mission for Malala Yousafzai. As an activist for girls and human rights globally recognized since age 12, the Nobel Peace Prize winner — the youngest in history to receive the award — is no stranger to cameras in her own life. After her acclaimed 2015 documentary He Named Me Malala, inspired by her bestselling memoir I Am Malala, she produced the Oscar-nominated short doc Stranger at the Gate. At the 2024 Toronto Film Festival, Yousafzai premiered the Apple doc The Last of the Sea Women, from her production company Extracurricular, which premieres on Apple TV+ on Oct. 11. The film examines the world of South Korea’s all female haenyeo divers, whose centuries-long tradition of harvesting sea life in the waters off Jeju Island is endangered.

The Hollywood Reporter’s Scott Feinberg spoke with the 27-year-old Yousafzai as part of the annual TIFF Industry Conference’ Visionaries conversation series. Focusing on what Jane Kim, producer of industry programming at TIFF, described as the “transformative power of storytelling to shape the world for better,” Feinberg delved into how storytelling has shaped Yousafzai and how she is using storytelling as a producer to continue the work she’s done since she her pre-teen years.

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With Extracurricular, the name of which riffs off of Yousafzai’s mission to educate, the activist says she took a very practical approach to entering the industry. “When I started working on this production company, I was looking at different projects that were happening and how I could begin by supporting them as an executive producer,” she recalled. “Joyland [the 2015 drama that was briefly banned in Pakistan for its story about a man who falls in love with a transgender erotic dancer] stood out because it was written and directed by this amazing Pakistani director [Saim Sadiq], and it was telling a very important story in a very powerful way. It was, I think, the first Pakistani film to be shortlisted for the Oscars as well. I’m so honored to be part of it, and it won the Independent Spirit Award as well.”

Serving as executive producer of Stranger at the Gate, the short documentary about an ex-Marine’s targeted bombing of a Muslim community center in Indiana that takes a powerful human turn, landed her an invite to last year’s Oscars. “It was amazing,” she said of the experience, where she rubbed elbows with various stars. Having an Oscar-nominated film was also enlightening.

“We still need more representation,” she learned. “We need more women, more people of color, to get the opportunity to tell their stories and more Muslim people as well to tell their stories. I think storytelling can really help us change perspectives in a way that a lot of other things can’t. I think it takes time. But it’s the human-to-human connection that can help us see the world in a more human way.”

With Apple, Yousafzai said she’s found a great partner: “I want to be in a place where I can continue to work with incredible women directors, writers and storytellers, and I want to work with people who bring a different perspective that we don’t often see on the screen. So we partnered with Apple because Apple has the same values. We talk about the importance of the people who we are connecting with through these documentaries or TV shows. We talk about the message that we are conveying, and we also talk about the entertainment and the fun side of it, that it can help people have moments of joy and make people laugh and bring people together. No matter what part of the world they’re living in, it really can connect people.”

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Her immediate draw to director Sue Kim’s The Last of the Sea Women came from being “so shocked that I did not know about this story,” she shared. “There are very few societies in the world that are matriarchal. The haenyeo is one of those [few] matriarchal societies in the world where women are actually the breadwinners, and they lead the community, and they work in a very cooperative way.”

Elaborating, Yousafzai said: “There’s so much you learn from them — how they have a relationship with the ocean. In the documentary, you learn how climate change is impacting their lives. You also learn that a lot of these women are in their 60s, 70s and 80s, and some are in their 90s, still doing the job, but they could be the last ones. So we also show how there are some young haenyeo, the young sea women, who are taking interest in this, and they’re more like the TikTok generation who are sea diving and making TikTok videos. And they’re super cool. So there’s that hope that this story will inspire more of them to protect this.”

Yousafzai also discussed Bread & Roses, which she executive produced. That documentary premieres in November on Apple TV+ and looks at the impact of the fall of Kabul on women’s rights (Oscar winner Jennifer Lawrence is a co-producer). “I’m so honored to be part of this documentary because it shares the stories of three Afghan women since the fall of Afghanistan to the Taliban,” she explained. “These women began to record their lives on their cell phones, and they show you how their lives are gradually changing because of these new restrictions that the Taliban [imposes].”

She reflected on the female dentist who is forced to hide her accomplishment because the Taliban forbids female achievement. “Afghanistan is the only country in the world that does not allow girls to complete their education beyond grade six. It’s shocking that we could live in this time,” she lamented.

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When asked which U.S. presidential candidate would better serve women’s rights, Yousafzai responded, “It’s such an easy question.”

“Just go listen to both, and you will find the answer,” she continued. “One is clearly telling you that they will take away rights from women, and one is telling you that they want to protect [them]. So go, Kamala Harris, go.”

At age 11, Yousafzai shared that her dream was to become prime minister, and now she’s a producer. And while her activism today looks different than she thought it would look then, her commitment has never wavered.

“It started with my story. And I was so lucky that people followed it, but I always [told] people, even in my interviews, I’m not a lone voice. There are many, many girls out there,” she said. “So I hope that through the productions, [along] with other work that I’ll be doing, I help empower more girls.”

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