āMerrily We Roll Alongā Gets the Broadway Treatment It Deserves
In the second act of Merrily We Roll Along, Franklin Shepard, who, at that moment in the show, is an aspiring and up-and-coming composer, utters a quick joke youāll miss if you arenāt listening carefully. While Broadway starlet (and later wife of Shepard) Gussie Carniege is trying to convince Shepard to write a musical for her, she says, āIāve been in five Broadway shows.ā Shepard responds with, āIāve seen the second act of every one.ā
Itās a nod to a common experience in the theater world. While everyone is taking a smoke break outside during intermission, those who couldnāt afford a ticket join the blob and find an empty seat in the theater, exposition in the first act be damned.
When I first saw Maria Friedmanās masterfully staged production of Merrily We Roll Along at New York Theatre Workshop almost a year ago, I had one of these invested intruders sit right next to me after the first act. They hadnāt bought a ticket, prices were steep for the sold-out run, but they were clamoring to see Daniel Radcliffe play Charley Kringas, astounded that there was even one open seat in the small theater. Even pre-Broadway, the hype around this Merrily We Roll Along revival zipped around town.
It makes sense, because Merrily has never been this good. When the Stephen Sondheim and George Furth musical first premiered in 1981, it only ran for 16 performances and 44 previews. It was deemed a flop. Post-Broadway, the show was staged with rewrites and revisits. But, it didnāt make as much of a splash until Friedman, who played Mary Flynn in the 1992 Leicester Haymarket Theatre production where Sondheim and Furth redeveloped the show, sat in the directorās chair. This production of Merrily, which was first staged in 2012 in London at the Menier Chocolate Factory, transferred to the West End, then to New York Theatre Workshop, and finally to Broadway (with the full, lush overture, which was missing from the downtown run).
Now, only a week into their Broadway run, tickets are hard to come by. The production received rave reviews from critics. In its first week of previews, the show broke the house record at the Hudson Theatre, completely selling out and grossing $1.3 million. The tune of Merrily currently hums throughout Broadway, beckoning every theater groupie to journey through Franklin Shepard's life.
Below, ELLE.com shares exclusive images of the Broadway cast, and Maria Friedman, director of the Broadway hit, speaks over the phone to discuss Sondheimās legacy, the impact of Merrily in her life, and what any theatergoer can take away from a Sondheim show.
On what it means for Merrily We Roll Along to finally be on Broadway:
āItās with Stephen Sondheimās blessing, that itās the sweetest and the saddest in combination, because he waited 42 years. He wanted this show on Broadway because he wrote it for Broadway with George [Furth]. Thatās where it belongs. It was written for a Broadway house, the references, the ideas that fly beneath the space, and that holding. That beautiful theater, the Hudson, is an exquisite theater. Itās where it belongs. I feel a real warmth in my heart, a great feeling of satisfaction.
āIt just reminds me every day whoās not there, which is my dear friend [Sondheim, who died in 2021]. So, itās bittersweet. But all his friends, and his husband, and everybody that Iāve known over the years all said, āJust do it. Do it because the most important thing, Stephen has a legacy and it now becomes part of it.ā Along with Sunday in the Park with George, and Sweeney Todd, and A Little Night Music, and Into the Woods, and Company. Merrily can now go in the same breath.ā
On the explosion of Sondheim shows on Broadway:
āHe just had posterity in his own time. Thereās a line in our show, which says musicals can make a difference. They can state important ideas, ideas that make a difference. āWe can change the worldā comes from Merrily itself. He really believed that and he lived to see that. āAnything you do, let it come from you, then it will be new.ā This is from Sunday in the Park with George. Itās an ongoing theme in his life, which is keep writing from your heart, and your soul, and your lived experience in life and you will make a difference. He does make a difference.
āI feel very certain that his work will live on because itās ideas that are universal and belong to all of us. Once youāre hooked into a Stephen Sondheim brilliant piece, youāre done for life. Youāve got it for life.
āI know I can turn to his scores and his ideas. Another one, āStop worrying where youāre going, move on.ā Iāve used these little, tiny sentences. Theyāre like Shakespearean sonnets, theyāre like haikus. They hold so much importance, and they came from that man, and he made a difference. So yes, Broadway is having a moment but it will continue to have it. The world will continue to have it.
On the Merrily We Roll Along cast:
āWell, if you look at the script and you look at the piece that narrows on stage, youāll see that Steve and George wrote six entirely clear characters that donāt cross lanes. They are all fully them. In a show, youāll have a few people that are quite like each other because they live in the same town, or they come from the same family. You look at the contrast between these people, they are deeply different, and therefore, can really spread out into their own lanes.
āSo, I was able to look for very different spirits and souls. The one thing in common is theyāre glorious people. The trio, led by Jonathan Groff, [who plays Franklin Shepard], who is without a doubt, the sweetest soul ever; heās taught me lots about remembering to be joyous, and full of love, and excitable. Just a sweet, sweet man with a brilliant talent. Daniel [Radcliffe] is the same, Lindsay [Mendez, who plays Mary Flynn], the same. Katie [Rose Clarke, who plays Beth Spencer] is a mother of three, and comes in and gives her heart and soul to the piece. Krystal Joy Brown is born to play Gussie. Reg [Rogers, who plays Joe Josephson] is a tremendous actor with extraordinary charisma, and also can stretch two words. Two words can suddenly have a weight of a book. Heās an incredibly dextrous actor. And Lindsayāglorious, glorious woman who leads the company as well, with great soul. Theyāre just great people.
āIt took six months to cast, so it takes time. Youāve got to feel the essence of the person. They all are very like their characters, in terms of the essence of the character. Lindsayās not somebody who drinks too much, Iām not saying that. Itās just that sheās full of love and art. Thatās what youāre looking for. And, very funny, and very, very smart, and very strong. Thatās what Mary is, and Lindsay has all those characteristics.ā
On directing the character of Mary Flynn, played by Mendez, who Friedman played in the past:
āAs an actor who also directs, I feel all those characters as if I was playing them. That kind of is how I feel a rhythm, and I feel the text, and I feel who those people are. Then, I cast it. And then, I encourage most of them to come out. I donāt want Lindsay to be doing my beats. They have to be her beats. They have to belong to her. I definitely am somebody who wants to be the conductor at the top, making sure weāll all playing the same tune in the same way. I think the thing I donāt want is a different style, different people. Youāll get somebody in a musical, somebody in a play, somebody in a tragedy, and everything like that. I want everybody in the same play. Thatās my only strictness, I wanted everyone to be quite quiet and to bring the audience to them in our living room, rather than push out. So, weāre voyeurs in their space.ā
On what happens to the characters after Merrily:
āI donāt want to impose that on anyone, but my thing is theyāre all fine. The reason the play happens is so that Frank can have some introspection that heās sorely missed. I think Mary sees him for the first time. I think Mary goes to rehab. I think Frank has a reckoning. I think he phones up Charley. I think Charley is hurt because he couldnāt have had a Pulitzer Prize winning play without Frank, because the doors were opened by having success. So, when he wrote his little intellectual play full of integrity, heād already met everyone whoād fund it. He wouldnāt have gotten funding as an unknown writer. So, heās had his success and is missing Frank. I donāt know that they write again together, but I think Frank makes music again. He says at the beginning, āIf I didnāt have music, Iād die,ā and he does die. He doesnāt physically die, but emotionally he dies. It just feels like a plant that hasnāt been watered. And I feel thatās how we meet Frank, heās like a plant, a beautiful plant that needs some sustenance.ā
On the message behind the show:
āThe moral of the piece is be very careful with your friends and family, be careful. Be careful about the things that really matter. And if you do make mistakes, which we all do, you can reset if you understand your part in it. You can reset. Every day is a new beginning.ā
Vishal Vaidya plays Jerome in Merrily We Roll Along
Jeremy Kushnier understudies Joe Josephson in Merrily We Roll Along
Morgan Kirner is a swing in Merrily We Roll Along
Brady Wagner plays Frank Jr. in Merrily We Roll Along
Max Rackenberg plays Frank Jr. in Merrily We Roll Along
Amanda Rose is a swing in Merrily We Roll Along
Leana Rae Concepcion understudies Beth Spencer in Merrily We Roll Along
Maya Boyd understudies Gussie Carnegie in Merrily We Roll Along
Talia Simone Robinson understudies Beth Spencer in Merrily We Roll Along
Jamila Sabares-Klemm understudies Mary Flynn and Gussie Carnegie in Merrily We Roll Along
Natalie Wache understudies Gussie Carnegie in Merrily We Roll Along
Sherz Aletaha understudies Mary Flynn in Merrily We Roll Along
Jacob Keith Watson plays Terry and Mr. Spencer in Merrily We Roll Along
Brian Sears plays Newscaster in Merrily We Roll Along
Koray Tarhan understudies Charley Kringas in Merrily We Roll Along
Christian Strange plays Ru and Reverend
Christian Strange plays Ru and Reverend in Merrily We Roll Along
Corey Mach plays Tyler in Merrily We Roll Along
This interview has been edited and condensed for clarity.
Merrily We Roll Along plays a limited run at the Hudson Theatre until March 2024. Tickets can be purchased here.
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