The best Black movies on Netflix right now

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Shawn and Marlon Wayans pose as white women in White Chicks.
Columbia Pictures

When you’re in the mood for something a little more thought-provoking, Netflix’s Black Stories collection is the place to go for the best Black movies on Netflix right now. While it’s a great collection, it’s also an extensive one, which can make it hard to find something you actually want to watch. So, we scour the collection every month to highlight the best options available now.

This August, Kevin Hart and Tiffany Haddish star in the comedy Night School, while Shawn and Marlon Wayans showcase their feminine sides in the cult classic White Chicks.

Looking for more films and shows that illustrate the Black experience? Check out our roundups of the best Black shows and movies to stream across all platforms.

White Chicks (2004) [New]

White Chicks
White Chicks
  • Metacritic: 41%

  • Rated: PG-13

  • Duration: 109m

  • Genre: Comedy, Crime

  • Stars: Shawn Wayans, Marlon Wayans, Frankie Faison

  • Directed by: Keenen Ivory Wayans

There was a time in the early 2000s when studios just couldn’t say no to the Wayans Brothers. How fortunate for us because it brought absolutely ridiculous concepts like White Chicks to life.

Shawn and Marlon Wayans star as Marcus and Kevin Copeland, a couple of underachieving FBI agents who, as penance for accidentally foiling a drug bust, must escort socialites Tiffany and Brittany Wilson to the Hamptons. But when the girls are disfigured in a car accident, rather than lose the gig, the Copeland brothers enlist the help of a makeup wizard to turn them into a couple of white women. Now, they just have to pretend to be Brittany and Tiffany long enough to avoid being fired.

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Night School (2018) [New]

Night School
Night School
  • Metacritic: 43%

  • Rated: PG-13

  • Duration: 111m

  • Genre: Comedy

  • Stars: Kevin Hart, Tiffany Haddish, Rob Riggle

  • Directed by: Malcolm D. Lee

After he accidentally blows up his place of employment, Teddy Walker (Borderlands star Kevin Hart) is forced back to night school to get his GED. Despite a career as a successful salesman, he has no choice but to navigate a bunch of misfit students, including his former high school nemesis. Thinking he’s better than everyone else isn’t going to work for night school teacher Carrie (Tiffany Haddish), however, who has seen plenty of people like Teddy before and is more convinced Teddy’s the dumbest person in the room than the smartest.

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Ali (2001)

Ali
Ali
  • Metacritic: 65%

  • Rated: R

  • Duration: 157m

  • Genre: Drama

  • Stars: Will Smith, Jamie Foxx, Jon Voight

  • Directed by: Michael Mann

Will Smith earned a Best Actor nomination for his portrayal of legendary boxer Cassius Clay (later known as Muhammad Ali) in Michael Mann’s biopic Ali. Beginning in 1964, the film grapples with Cassius Clay’s explosion onto the national sports scene after winning Olympic Gold. The brash, confident activist Clay ruffles many feathers in the establishment who don’t appreciate the Black man’s politics or his unapologetic belief that he’s the greatest boxer of all time.

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Tangerine (2015)

Tangerine
Tangerine
  • Metacritic: 86%

  • Rated: R

  • Duration: 87m

  • Genre: Comedy, Drama

  • Stars: Kitana Kiki Rodriguez, Mya Taylor, Karren Karagulian

  • Directed by: Sean Baker

In her debut role, Kitana Kiki Rodriguez stars as Sin-Dee, a sex worker who returns to Los Angeles after 28 days in lockup. Discovering that her pimp boyfriend (James Ransone) hasn’t been faithful in that time, Sin-Dee and her best friend Alexandra (Mya Taylor) set out to get to the bottom of the rumor. Tangerine is a funny, dark odyssey into the many subcultures and experiences of life in Los Angeles.

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Shirley (2024)

Shirley
Shirley
  • Metacritic: 57%

  • Rated: PG-13

  • Duration: 117m

  • Genre: History, Drama

  • Stars: Regina King, Lance Reddick, Terrence Howard

  • Directed by: John Ridley

Regina King stars in this biopic about Shirley Chisholm, America’s first Black congresswoman and the first Black woman to run for president. After a trailblazing run to Congress, Chisholm wasted hardly any time, gearing up for the 1972 Democratic presidential nomination. Although Chisholm didn’t win, she mounted a competitive bid, tearing down many doubts and barriers in Washington for those who followed in her footsteps.

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Rustin (2023)

Rustin
Rustin
  • Metacritic: 68%

  • Rated: PG-13

  • Duration: 108m

  • Genre: Drama, History

  • Stars: Colman Domingo, Aml Ameen, Glynn Turman

  • Directed by: George C. Wolfe

Colman Domingo was nominated for an Oscar for his portrayal of gay civil rights leader Bayard Rustin in this Netflix original. The architect of 1963’s March on Washington, Rustin was one of the world’s greatest activists and organizers, and yet has become largely lost to history. This biopic seeks to rectify that, examining the unapologetic man who never apologized for who he was or what he believed in.

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Harriet (2019)

Harriet
Harriet
  • Metacritic: 66%

  • Rated: PG-13

  • Duration: 125m

  • Genre: Drama, History

  • Stars: Cynthia Erivo, Leslie Odom Jr., Joe Alwyn

  • Directed by: Kasi Lemmons

Wicked‘s Cynthia Erivo earned a Best Actress nomination for her portrayal of freedom fighter Harriet Tubman in the biopic Harriet. The sprawling film tells the extraordinary story of Tubman’s escape from slavery and evolution into one of America’s greatest heroes. Through determination, ingenuity, and courage, she helps hundreds of slaves along the Underground Railroad to freedom.

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They Cloned Tyrone (2023)

They Cloned Tyrone
They Cloned Tyrone
  • Rated: R

  • Duration: 122m

  • Genre: Science Fiction, Comedy, Mystery

  • Stars: John Boyega, Teyonah Parris, Jamie Foxx

  • Directed by: Juel Taylor

A modern nod to Black exploitation movies, They Cloned Tyrone centers around a nefarious government conspiracy unfolding beneath a Black neighborhood. As strange events begin to occur in town, Fontaine (John Boyega), Yo-Yo (WandaVisions Teyonah Parris), and Slick Charles (Jamie Foxx) form an unlikely trio to investigate.

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Chris Rock: Selective Outrage (2023)

Chris Rock: Selective Outrage
Chris Rock: Selective Outrage
  • Metacritic: 54%

  • Rated: R

  • Duration: 69m

  • Genre: Comedy

  • Stars: Chris Rock

  • Directed by: Joel Gallen

Chris Rock’s first standup special since “The Slap” might not technically qualify as a movie, but we’re including it here because it made history as Netflix’s first global live-streaming event.

Chris Rock’s second special for Netflix features a pre-show hosted by Ronny Chieng and an after-show hosted by SNL contemporaries Dana Carvey and David Spade. It’s a raw and funny comedy special that highlights Rock’s gift as a stand-up comedian and expert storyteller.

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Is That Black Enough for You?!? (2022)

Is That Black Enough for You?!?
Is That Black Enough for You?!?
  • Metacritic: 88%

  • Rated: R

  • Duration: 135m

  • Genre: Documentary

  • Stars: Margaret Avery, Harry Belafonte, Charles Burnett

  • Directed by: Elvis Mitchell

Film critic Elvis Mitchell directs and stars in this Netflix Original documentary about the history of Black cinema. Focusing primarily on a Black revolution in ’70s cinema, Mitchell uses archival footage and new interviews with key players from the area to analyze and celebrate the diversification, politicization, and star-making turns of the era. New interviews with luminaries like Harry Belafonte, Samuel L. Jackson, Whoopi Goldberg, Margaret Avery, Laurence Fishburne, and Charles Burnett make this doc a must-see for cinema lovers.

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Concrete Cowboy (2020)

Concrete Cowboy
Concrete Cowboy
  • Metacritic: 67%

  • IMDb: 6.3/10

  • Rated: R

  • Duration: 111m

  • Genre: Drama, Western

  • Stars: Idris Elba, Caleb McLaughlin, Jharrel Jerome

  • Directed by: Ricky Staub

This modern Western centers on a North Philadelphia block where people live a little more simply. When 15-year-old Cole (Caleb McLaughlin) can’t stop getting in trouble at school, his mother drives him from Detroit to spend the summer in Philadelphia with his estranged father, Harp (Luther: The Fallen Sun‘s Idris Elba). Cole is shocked to find that despite the urban environment, Harp is a bonafide cowboy. Frustrated by his father’s strict rules and confused by the urban-cowboy lifestyle, Cole initially tries to find somewhere else to stay for the summer, only to find himself slowly being drawn into the rustic allure of Harp’s life.

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Ma Rainey's Black Bottom (2020)

Ma Rainey's Black Bottom
Ma Rainey's Black Bottom
  • Metacritic: 87%

  • IMDb: 7.0/10

  • Rated: R

  • Duration: 94m

  • Genre: Drama, Music

  • Stars: Viola Davis, Chadwick Boseman, Glynn Turman

  • Directed by: George C. Wolfe

Adapted from August Wilson’s classic Century Cycle play, Ma Rainey’s Black Bottom takes place in a 1920s Chicago recording session. As musicians await the legendary “Mother of the Blues,” Ma Rainey (The Suicide Squad‘s Viola Davis), tempers begin to flare when Ma finally arrives. Ma enters into a battle of wills with her white manager and producer over control of her music while cornet player Levee (Chadwick Boseman) stokes the fires and prods his fellow musicians into stories and truths that will change their lives.

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Dolemite Is My Name (2019)

Dolemite Is My Name
Dolemite Is My Name
  • Metacritic: 76%

  • IMDb: 7.3/10

  • Rated: R

  • Duration: 118m

  • Genre: Drama, Comedy, History

  • Stars: Eddie Murphy, Keegan-Michael Key, Mike Epps

  • Directed by: Craig Brewer

Eddie Murphy returned from a lengthy acting hiatus to star as Rudy Ray Moore in this Oscar-nominated biopic of the comedian who created the character Dolemite. Dolemite is a pimp, comedian, and nightclub owner who became an iconic character in blaxploitation films. In Dolemite Is My Name, Moore grapples with the character and the success that comes with being an underground sensation.

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Passing (2021)

Passing
Passing
  • Metacritic: 85%

  • IMDb: 6.7/10

  • Rated: PG-13

  • Duration: 98m

  • Genre: Drama

  • Stars: Tessa Thompson, Ruth Negga, André Holland

  • Directed by: Rebecca Hall

Based on the 1929 novel of the same name, Passing stars Tessa Thompson and Ruth Negga as Irene and Clare. Old friends that reconnect after a chance meeting at a hotel, Irene is Black and is married to a Black physician. Clare, also Black, is able to “pass” as white because of her lighter skin color. As the two women grow closer, their personal lives, insecurities, and secrets start unraveling and weaving together. The directorial debut of actress Rebecca Hall, Passing is an emotionally close-knit chamber drama with mesmerizing and intricately-layered performances from both Thompson and Negga.

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High Flying Bird (2019)

High Flying Bird
High Flying Bird
  • Metacritic: 78%

  • IMDb: 6.2/10

  • Duration: 90m

  • Genre: Drama

  • Stars: André Holland, Zazie Beetz, Melvin Gregg

  • Directed by: Steven Soderbergh

In the wake of an NBA lockout, sports agent Ray Burke (Andrè Holland) is at risk of losing his entire career. Hoping to turn things around, the agent has less than 72 hours to pitch a controversial business plan to one of his rookie players, a business venture that will have major ripple effects across the entire NBA hierarchy of power. From director Steven Soderbergh, High Flying Bird combines the ingenuity of richly scripted sports dramas like Moneyball and infuses the narrative with energies that only a Soderbergh film can deliver. This is also Soderbergh’s second film to be entirely shot on an iPhone (Unsane being the first).

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Deidra & Laney Rob a Train (2017)

Deidra & Laney Rob a Train
Deidra & Laney Rob a Train
  • Metacritic: 65%

  • IMDb: 6/10

  • Duration: 92m

  • Genre: Drama, Comedy, Crime

  • Stars: Ashleigh Murray, Rachel Crow, Tim Blake Nelson

  • Directed by: Sydney Freeland

When their mother gets thrown in jail, teen sisters Deidra (Ashleigh Murray) and Leina (Rachel Crow) are at risk of being thrown into foster care. To avoid such a fate, Deidra hatches a plan to begin robbing trains to build up enough of a nest egg to bail their mother out of jail, while providing enough funds for the siblings to survive. A lively blend of comedy and drama, Deidra & Laney Rob a Train finds its heart and soul in the upbeat performances of both Murray and Crow — a dazzling dynamic that propels this social hybrid out of the run-of-the-mill Netflix dramedy vault.

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Giving Voice (2020)

Giving Voice
Giving Voice
  • IMDb: 6.8/10

  • Rated: PG-13

  • Duration: 90m

  • Genre: Documentary

  • Stars: Denzel Washington, Viola Davis, Stephen McKinley Henderson

  • Directed by: Fernando Villena, James D. Stern

The August Wilson Monologue Competition is an annual theater competition and much-lauded opportunity for aspiring high school artisans. With thousands of submissions every year, the crowned winner will be able to perform on Broadway. James D. Stern and Fernando Villena’s amazing documentary follows six students on their journey through the audition process, culminating in an edge-of-your-seat final round between the youths. Featuring appearances from Denzel Washington, Viola Davis, and other noteworthy talking heads, Giving Voice is an inspiring showcase of up-and-coming talents and a reminder that the arts are always here for us to lean on.

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Sleight (2016)

Sleight
Sleight
  • Metacritic: 62%

  • IMDb: 5.9/10

  • Rated: R

  • Duration: 89m

  • Genre: Drama, Thriller, Action, Science Fiction

  • Stars: Jacob Latimore, Seychelle Gabriel, Storm Reid

  • Directed by: J.D. Dillard

A street magician named Bo (Jacob Latimore) is the sole source of income for him and his kid sister, Tina (Storm Reid). By day, he performs magic tricks for spectacle and a dollar here or there from passersby. By night, Bo takes to the streets to sell drugs. What seems to be working quickly falls apart when a rival drug kingpin infringes on Bo’s dealer’s turf, sparking a war that Bo finds himself at the center of. Combining elements of serious drama with bits of magic realism and coming-of-age notes, Sleight brings its story home in more ways than one.

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The Forty-Year-Old Version (2020)

The Forty-Year-Old Version
The Forty-Year-Old Version
  • Metacritic: 80%

  • IMDb: 7.2/10

  • Rated: R

  • Duration: 123m

  • Genre: Comedy, Drama

  • Stars: Radha Blank, Peter Y. Kim, Oswin Benjamin

  • Directed by: Radha Blank

In writer-director Radha Blank’s feature film debut, the auteur plays a version of herself. A down-on-her-luck New York playwright who can’t gain enough traction because her most recent play doesn’t emphasize “Black suffering” enough, Radha unearths a new artistic path after hearing rap music outside her apartment walls. Putting her playwright aspirations on the back burner, albeit only for the time being, Radha teams with a music producer and DJ named D (Oswin Benjamin) to record her first series of rap songs — tunes with a metaphoric focus on Radha’s hardships as a Black artist. An authentic and moving portrayal of life as a starving artist, The Forty-Year-Old Version seems to allude to a forthcoming prolific career from its writer-director-actor. We can only wait and see what Radha’s filmic future may bring.

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Two Distant Strangers (2021)

Two Distant Strangers
Two Distant Strangers
  • IMDb: 6.9/10

  • Rated: R

  • Duration: 32m

  • Genre: Drama

  • Stars: Joey Bada$$, Andrew Howard, Zaria Simone

  • Directed by: Martin Desmond Roe, Travon Free

Carter James (Joey Bada$$) is a New York cartoonist who needs to get home to his hungry dog after a date night out. On his return home, the artist is confronted by a police officer named Merk (Andrew Howard). Upon questioning Carter, the altercation between cop and cartoonist quickly escalates to Carter being shot dead, only to reawaken in his date’s bed. Stuck in a time loop, Carter must relive his tragic end again and again. An Oscar-winning short film, Two Distant Strangers shares a narrative time-loop structure with many other films but builds upon the formula with a meaningful message about systemic racism.

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Atlantics (2019)

Atlantics
Atlantics
  • Metacritic: 85%

  • IMDb: 6.7/10

  • Rated: PG-13

  • Duration: 106m

  • Genre: Drama, Romance, Fantasy, Mystery

  • Stars: Mame Bineta Sane, Ibrahima Traore, Amadou Mbow

  • Directed by: Mati Diop

Ada (Mama Sane) awaits the date of her arranged marriage to Omar (Babacar Sylla), but her heart truly lies with Souleiman (Traore), a Senegal refugee in search of a better life for him and his lover. When the bodies of Souleiman’s companions wash up on the shore, Ada assumes her soul mate has perished — but through nothing short of a miracle, the lovers are reunited in the most unexpected of ways. The feature debut of writer-director Mati Diop, Atlantics has the profound designation of being the first film to play the Cannes Film Festival that was directed by a Black woman.

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Monster (2018)

Monster
Monster
  • Metacritic: 56%

  • IMDb: 6.5/10

  • Rated: R

  • Duration: 98m

  • Genre: Crime, Drama

  • Stars: Kelvin Harrison Jr., Jeffrey Wright, Jennifer Hudson

  • Directed by: Anthony Mandler

Based on the Walter Dean Mayers novel of the same name, Monster stars Kelvin Harrison Jr. as Steve Harmon, a 17-year-old charged with murder. Shining a light on the teen’s journey from a bright and promising future through a bevy of legal proceedings and the possibility of jail time, the Harlem youth must rise against the odds to clear his name. With a commanding lead performance from indie stalwart Harrison, Jr., Monster follows a traditional dramatic formula, delivering rich results.

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Beasts of No Nation (2015)

Beasts of No Nation
Beasts of No Nation
  • Metacritic: 79%

  • IMDb: 7.7/10

  • Duration: 137m

  • Genre: Drama, War

  • Stars: Abraham Attah, Idris Elba, Emmanuel Nii Adom Quaye

  • Directed by: Cary Joji Fukunaga

Adapted from the 2005 novel of the same name, Beasts of No Nation stars Idris Elba as Commandment, a towering West African guerilla warfare leader. As civil war breaks out, a young boy named Agu is recruited by Commandment to join his battalion after attacks on the boy’s settlement are initiated by rebel forces. Leaving his family behind, Agu begins an immense coming-of-age journey through his militaristic training. Securing several awards and nominations when first released, Beasts of No Nation is a tremendous piece of cinema with bold visuals, deep performances, and an impressive narrative.

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Uncorked (2020)

Uncorked
Uncorked
  • Metacritic: 62%

  • IMDb: 6.4/10

  • Rated: R

  • Duration: 104m

  • Genre: Drama, Comedy

  • Stars: Mamoudou Athie, Courtney B. Vance, Niecy Nash

  • Directed by: Prentice Penny

In writer-director Prentice Penny’s Uncorked, Mamoudou Athie stars as Elijah, an aspiring sommelier with dreams of leaving the family barbecue business behind in pursuit of his wine connoisseur dreams. When a once-in-a-lifetime opportunity presents itself, the young man must choose between a life of tradition and family ties or a new world filled with major personal opportunities. An energetic Black comedy-drama with familiar but elevated family undertones, Uncorked looks and feels like a number of other films in the “stay-or-go” subgenre, but its performances and relatable narrative push it above the rest of its counterparts.

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Beats (2019)

Beats
Beats
  • IMDb: 6.4/10

  • Rated: R

  • Duration: 109m

  • Genre: Drama, Music

  • Stars: Anthony Anderson, Khalil Everage, Uzo Aduba

  • Directed by: Christian Robinson

Eighteen months after a devastating tragedy, Chicago youth August (Khalil Everage), afflicted by PTSD, struggles to find a meaningful life outside of his bedroom. When school principal Vanessa runs up against personnel cuts if her school’s attendance doesn’t improve, she hires her soon-to-be-ex, Romelo (Anthony Anderson), as a security guard. Tasked with encouraging August to return to school, Romelo discovers that the teenager is a talented musician. As a friendship begins forming between the two, Romelo and August discover that their fraternal bond is the meaningful relationship that both men have been searching for their entire lives. With a fairly by-the-book narrative, Beats truly shines through the onscreen chemistry between Anthony Anderson and Khalil Everage.

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The Black Godfather (2019)

The Black Godfather
The Black Godfather
  • Metacritic: 69%

  • IMDb: 7.5/10

  • Rated: R

  • Duration: 118m

  • Genre: Documentary, Music

  • Stars: Clarence Avant, Quincy Jones, Barack Obama

  • Directed by: Reginald Hudlin

The Black Godfather is a riveting documentary about Black music legend Clarence Avant. A record label founder, concert curator, political activist, and a cherished mentor to several other executives that were inspired by his quiet but esteemed reign over the arts, Clarence truly did it all. Buckle up for this profanity-laced tell-all: It’s a raw and honest portrait of an essential entertainment figurehead. Don’t let the F-bomb drops deter you though — this is a top-notch documentary with an ensemble of noteworthy talking heads and a mighty arcing narrative to seal the deal.

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Quincy (2018)

Quincy
Quincy
  • Metacritic: 60%

  • IMDb: 7.6/10

  • Rated: R

  • Duration: 124m

  • Genre: Documentary, Music

  • Stars: Quincy Jones, Rashida Jones, Tom Hanks

  • Directed by: Rashida Jones, Alan Hicks

It’s hard to encapsulate the life of a legend, especially one as prolific and regarded as musician extraordinaire, Quincy Jones. But co-directors Rashida Jones (Quincy’s daughter) and Alan Hicks do a remarkable job of wrangling the life of the icon. Chronicling Quincy’s early life and eventual rise to stardom in both the professional film and music communities he would come to dominate, Quincy paints an immense portrait of the artist, activist, husband, and father, featuring interviews and recollections from those closest to him. An immersive and incredibly human film, Quincy went on to win a Grammy for Best Music Film at the 2019 Grammy Awards.

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The Boy Who Harnessed the Wind (2019)

The Boy Who Harnessed the Wind
The Boy Who Harnessed the Wind
  • Metacritic: 68%

  • IMDb: 7.6/10

  • Rated: PG

  • Duration: 113m

  • Genre: Drama, History, Family

  • Stars: Maxwell Simba, Chiwetel Ejiofor, A?ssa Ma?ga

  • Directed by: Chiwetel Ejiofor

William Kamkwamba (Maxwell Simba) is a young boy with humongous dreams and an incredible knack for electrical engineering. When his parents can’t keep up with his school’s tuition, the wunderkind blackmails his science teacher into letting William continue his studies. As famine sets into his village, tearing families apart, William devises a genius plan to construct a windmill to power an electric water pump. The odds against him and lacking resources, William builds his machine without ever looking back. As director Chiwetel Ejiofor’s powerful feature debut, The Boy Who Harnessed the Wind is a beautifully constructed film about the struggles of humanity and what we do to overcome hardship even under the most hopeless of conditions.

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ReMastered: The Two Killings of Sam Cooke (2019)

ReMastered: The Two Killings of Sam Cooke
ReMastered: The Two Killings of Sam Cooke
  • IMDb: 7.2/10

  • Rated: R

  • Duration: 74m

  • Genre: Documentary

  • Stars: Sam Cooke, Jim Brown, Quincy Jones

  • Directed by: Kelly Duane de la Vega

Influential soul singer, entrepreneur, and activist Sam Cooke gave a lot to the world. In this emotionally-stirring Netflix doc, we revisit the legacy and impact of the artist by way of those he loved most and that loved him in return. Featuring a talking-head ensemble of family, friends, journalists, academics, and other cultural movers and shakers, director Kelly Duane’s provocative film shines new light on Sam’s murder by way of Bertha Franklin in 1964, exploring the crime from multiple vantages. A chronicling of a profound artist and the mark he left on Black culture, this is one you don’t want to miss.

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See You Yesterday (2019)

See You Yesterday
See You Yesterday
  • Metacritic: 74%

  • IMDb: 5.2/10

  • Rated: R

  • Duration: 86m

  • Genre: Science Fiction, Drama, Adventure, Crime, Action

  • Stars: Eden Duncan-Smith, Dante Crichlow, Astro

  • Directed by: Stefon Bristol

Based on writer-director Stefon Bristol’s 2017 short film of the same name, See You Yesterday stars Eden Duncan-Smith and Dante Crichlow as CJ and Sebastian, two science nerds who spend their time inventing — specifically, time machine backpacks that will blast the youths across the space-time continuum. When a tragedy befalls CJ, she and Sebastian will do whatever it takes to turn back time to save someone they love (and have lost). Seamlessly blending science fiction and social drama, See You Yesterday is led by powerful and endearing performances from its leads while never straying from its racial undertones.

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Becoming (2020)

Becoming
Becoming
  • Metacritic: 66%

  • IMDb: 6.8/10

  • Rated: PG

  • Duration: 89m

  • Genre: Documentary

  • Stars: Michelle Obama, Barack Obama, Phoebe Robinson

  • Directed by: Nadia Hallgren

If you find that you’re missing the grace, compassion, and normalcy of the Obama administration, Becoming is a refreshing watch. A companion to Michelle Obama’s autobiography, Becoming sheds light on her journey to become America’s first African American First Lady. While it’s not quite as personal as some might like, Becoming is nonetheless an endearing, often provocative discussion of race, hope, and connecting with those of different backgrounds and beliefs. It’s a keen reminder that leaders can inspire by positive example.

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13th (2016)

13th
13th
  • Metacritic: 83%

  • IMDb: 8.2/10

  • Rated: R

  • Duration: 100m

  • Genre: Documentary

  • Stars: Jelani Cobb, Angela Davis, Henry Louis Gates, Jr.

  • Directed by: Ava DuVernay

“If you’re in the prison business, you don’t want reform. You may say you do. But you don’t.” Ava DuVernay’s eye-opening, at times harrowing, 13th is a pivotal documentary that explores the centuries-old criminalization of disenfranchised African American communities, but by way of tracing the steps of American racism to its very roots. Over the course of the film, DuVernay and many activists, lawmakers, and academics unfold decade after decade of politically motivated legislation, and the lobbyists often behind these laws, that have led not only to the privatization of the American prison system but also to the staggeringly disproportionate incarceration of millions of African American men and women. The film can be difficult to watch, but DuVernay’s grim realizations are made to be blatant. What is also apparent is that there is still hope for fundamental change, a message echoed by the film’s ensemble of progressively minded confiders, figures both left- and right-leaning.

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All Day and a Night (2020)

All Day and a Night
All Day and a Night
  • Metacritic: 60%

  • IMDb: 5.9/10

  • Rated: R

  • Duration: 121m

  • Genre: Drama

  • Stars: Ashton Sanders, Jeffrey Wright, Isaiah John

  • Directed by: Joe Robert Cole

In All Day and a Night, Ashton Sanders plays Jahkor Lincoln, a once-aspiring rapper serving a life sentence for murder. Through a series of flashbacks, we learn of Lincoln’s troubled upbringing. An adolescence riddled with abuse and dire straits leads to petty crime, which evolves into something far more sinister when Lincoln begins offering his services to a gangster named Big Stunna. As present-day Jahkor looks back on his dark past from behind bars, an old accomplice is admitted to the same prison. This time around, though, the man is a foe, not a friend. Praised for its performances and meditative qualities, All Day and a Night is indeed a richly-textured drama. Ashton Sanders is particularly impressive as Jahkor.

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American Son (2019)

American Son
American Son
  • Metacritic: 34%

  • IMDb: 5.8/10

  • Rated: PG-13

  • Duration: 90m

  • Genre: Drama

  • Stars: Kerry Washington, Steven Pasquale, Jeremy Jordan

  • Directed by: Kenny Leon

Kerry Washington is electric in Kenny Leon’s racially charged drama about a mother, father, and the police officers that serve as the gatekeepers to their son’s safety (or lack thereof). The film is minimalist in terms of set pieces, but the true gravitas of this 90-minute, escalating panic is in the claustrophobia of the police station, a bunker clinging to its segregated past by way of demarcated water fountains and a quiet regional disparity covered with a law book and a grin. The true joy of the film is in watching Washington claw her way through the narrative, channeling a polarity of emotions that are all backed by the all-too-relatable fear of a mother worried because her child didn’t come home. Sparse editing and an emotional score are the backbones of these three acts, each of which plays out like a theater piece, sans intermission.

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Homecoming: A Film by Beyoncé (2019)

Homecoming: A Film by Beyoncé
Homecoming: A Film by Beyoncé
  • Metacritic: 93%

  • IMDb: 7.5/10

  • Duration: 137m

  • Genre: Documentary, Music

  • Stars: Beyoncé, Jay-Z, Kelly Rowland

  • Directed by: Beyoncé, Ed Burke

A concert film for a new generation, HOMECOMING won a Grammy for Best Musical Film. Beyoncé has become something of a musical film savant, with LemonadeBlack Is King, and HOMECOMING all earning rave reviews. It’s HOMECOMING, however, that stands uniquely as a concert film. The film takes an in-depth look at Beyoncé’s 2018 Coachella performance, revealing the incredible creative depth and cultural significance of the show.

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Barry (2016)

Barry
Barry
  • Metacritic: 72%

  • IMDb: 5.9/10

  • Rated: R

  • Duration: 104m

  • Genre: Drama

  • Stars: Devon Terrell, Anya Taylor-Joy, Ashley Judd

  • Directed by: Vikram Gandhi

You might think Barack Obama is still too recently out of office to have his own biopic, but the circumstances surrounding the nation’s first Black president’s rise to power are worthy of this 2016 film. The story follows a young Barack Obama as he arrives in New York City in the fall of 1981 for his junior year at Columbia University. Echoing many of the themes expressed in his autobiography, Dreams of My Father, Obama struggles to stay connected to his mother and his estranged father and build new connections with his classmates. Simultaneously, he battles an identity crisis and becomes critical of the injustices he sees in his day-to-day life, ultimately motivating him toward a career in organizing and, eventually, politics.

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Da 5 Bloods (2020)

Da 5 Bloods
Da 5 Bloods
  • Metacritic: 82%

  • IMDb: 6.5/10

  • Rated: R

  • Duration: 156m

  • Genre: War, Drama

  • Stars: Delroy Lindo, Jonathan Majors, Clarke Peters

  • Directed by: Spike Lee

Spike Lee’s first movie under his new Netflix deal is a modern masterpiece. Simultaneously about the stasis of the movement for Black justice and the enduring villainy of the Vietnam War, Da 5 Bloods bounces between eras to illuminate how little has changed in 40 years. The film follows four Black vets as they return to Vietnam seeking the remains of their fallen squad leader and a buried treasure they vowed to one day return for. What they discover is their own “Heart of Darkness” as they battle the forces of man and nature, confronting the lasting legacy of the war and its impact on Vietnam and one another.

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Mudbound (2017)

Mudbound
Mudbound
  • Metacritic: 85%

  • IMDb: 7.4/10

  • Rated: R

  • Duration: 135m

  • Genre: Drama

  • Stars: Carey Mulligan, Jason Clarke, Jason Mitchell

  • Directed by: Dee Rees

The expertly lensed Mudbound — written and directed by Dee Rees and photographed by Rachel Morrison — explores the personal, economic, and racial tensions of two rural families living by way of the land in World War II-era Mississippi. A respective son from each family goes off to war. These are Jamie McAllan (Garrett Hedlund) and Ronsel Jackson (Jason Mitchell), two boys who leave a world of racism and other struggles behind. The battle ends. They return home, Jamie with newfound trauma, and Ronsel to a country that looks down at him for the color of his skin, regardless of his valor. What’s to truly savor in Rees’ masterful period drama is Morrison’s language of framing. Rees and Morrison were after a kind of camera work that reflected the feeling of the American Dream, and so we get beauty in shades. But under the flora is loud and vibrant cinematography that enhances our connection with both families, one white and one black. Mudbound is illuminating in more ways than one, an epic racial drama led by a master class of actors that all own their roles.

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Strong Island (2017)

Strong Island
Strong Island
  • Metacritic: 86%

  • IMDb: 6.4/10

  • Rated: R

  • Duration: 107m

  • Genre: Documentary

  • Stars: Yance Ford, Harvey Walker, Kevin Myers

  • Directed by: Yance Ford

Director Yance Ford’s investigation into the 1992 murder of her brother, 24-year-old William Ford Jr., is an examination of judicial prejudice like no other, and an incredible film experiment. Courageously, Ford toes the line between essay film, personal memoir, and true crime exposé, seamlessly blending each type of documentary form in an effort to best capture her 22-year story of pain and loss. Ford spends time with the friends, family, and willing judicial entities that were involved in her brother’s life and in the courtroom for his killer’s trial, 19-year-old Mark P. Reilly. These many emotional recollections weave a rich tapestry of William Ford Jr.’s life, ambitions, fears, and frustrations. Underneath the records, talking heads, and scrapbook photos is a story about a family that lost their son, and his little sister’s lifelong quest for familial and personal closure.

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What Happened, Miss Simone? (2015)

What Happened, Miss Simone?
What Happened, Miss Simone?
  • Metacritic: 75%

  • IMDb: 7.6/10

  • Duration: 101m

  • Genre: Music, Documentary

  • Stars: Nina Simone, Lisa Simone, Dick Gregory

  • Directed by: Liz Garbus

What Happened, Miss Simone? explores the life of prolific singer-songwriter and pianist, Nina Simone, through recollections composed of archived interviews, photographs, commentaries, musical performances, and journal entries. Plagued by racism from an early age, Simone’s rise to stardom served as a platform for the activism that would define much of her career. Liz Garbus’ film is an introspective journey into the always-racing mind of an artistic genius, and a black woman who desperately wanted black voices to be heard and understood the world over. Conversations with friends, family, and those that worked with Simone professionally round out the documentary, each contributor adding a new layer of Nina, a complicated but enduring individual with a calling that never ceased, and a talent like no other.

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